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No hay artículos en el carroCompresor, expansor, gate y limitador de pico de 2 canales con De-Esser integrado con reconocimiento de voz masculino/femenino conmutable, elimina el exceso de sibilancia de tus pistas vocales, enhancer dinámico conmutable para un audio brillante y animado incluso con compresión pesada, circuito de compresión IKA conmutable, circuitos limitadores de picos IGC (control de ganancia interactivo) que combina clipper y limitador de programas para una protección fiable e inaudible contra picos de señal, circuito expansor/gate IRC para supresión de ruido virtualmente inaudible, simulación de bulbos conmutable para una mayor calidez y transparencia de los circuitos de bulbos clásicos, tiempos de ataque y liberación ajustables automáticos o manuales, filtro de bajo contorno conmutable que evita el "bombeo" debido a la compresión dominada por baja frecuencia, función de par estéreo con ajustes de nivel de salida independientes, entrada de cadena lateral conmutable con función monitor, medidores LED separados de 12 segmentos para niveles de entrada/salida y reducción de ganancia, "semáforo" dedicado que muestra el nivel Threshold y De-Esser, entradas y salidas servo-balanceadas con conectores TRS 1/4" y XLR chapados en oro, switch hard-bypass controlado por relé con función de bypass automático en caso de fallo de alimentación, fuente de alimentación de conmutación interna (100-240V) para audio sin ruido y bajo consumo de energía, dimensiones: 44 x 483x149 mm, peso: 1.7 kg.
D. Middleton
Comentado en los Estados Unidos el 12 de enero de 2025
Just like above a great quality piece yet well priced
Andrew
Comentado en los Estados Unidos el 27 de febrero de 2024
I'm not a very tech guy but I do record and another sound guy recommended it. After trying it out I noticed a difference in the sound quality and I usually don't notice these things. I couldn't explain why it works but it seemed to make the audio more clear and sound professional when I listen to recording
Casey
Comentado en los Estados Unidos el 24 de julio de 2023
Bought this for my mic for streaming because I needed my vocals to stand out a bit, and running the audio fx through my DAW was not an option. Works perfectly, and sounds great with my TLM 103
Bob K4TAX
Comentado en los Estados Unidos el 22 de julio de 2022
Installed this unit in a church PA system. It solves the issue of the preacher going from a whisper to a full shout while still allowing a degree of dynamic range. Does not add noticeable artifacts to the sound, no pumping or breathing. It takes a bit of time to "learn" the system and make the proper adjustments to attain the best performance.Good value for the money.
Seb
Comentado en Canadá el 26 de febrero de 2020
Bought gear to live-stream live interviews with phone-ins. First got a X1204USB mixer, and a NW-800 condenser Mic. Quickly realized that my noisy fridge in the adjacent kitchen made for a less-than-stellar recording environment which needed some horse medicine.I acquired a XM8500 dynamic Mic, the Mic2200 pre and MDX2600 gate/comp/de-ess unit. It took me about 10 minutes to adjust everything to absolute whisper quiet perfection. No DAW post-editing required: No hiss or background noise. My audio is squeaky clean.Notes:- My use and opinion is relevant only for spoken word.- Musicians may have different results and opinions about it.- My MDX2600 (and Mic2200 pre) are both on a Furman M-8x² power conditioner, and nothing else is plugged in there to avoid any ground loops or line noise.- To avoid picking EM/RF interference, I've cabled-up using XLR cables on all links.- You do need a preamp to use the MDX2600, and an XLR-to-computer interface.- For some mixers, not all, it might be possible to preamp on a bus, send to MDX2600 and return to another bus, but there are potential details and caveats which could destroy your gear. Don't do it if you don't know what your doing, specially if your running phantom power.- Don't use unbalanced cables/ports with this unit.My conclusion:I'm overjoyed at the results I've achieved with this thing. I thought my situation was a basket-case. Well the MDX2600 proved itself worthy of the job. I no longer need to process my audio in a DAW. It is now decent enough for live broadcasting. Even after acquiring a separate twin preamp (Mic2200) to run this unit, for the price of a single channel DBX286s, the Behringer combo yields me 2 channels with De-ess. So half the price per channel, and it gets the job done.
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