Finalmente dopo tre resi questa scheda audio sembra funzionare correttamente.

Great sound even at this low cost. I wasn't expecting much, just wanting to transfer some vinyl to CD that were not available on that format, and put the files on my hard drive to stream it on my system.. Oh my.. was I surprised. It sounds pretty good, even by audiophile standard. It's no Chord or Naim or name it, but it sounds pretty decent and allows you to save vinyls and other recordings that are no longer available to Flac or what ever format you want via Audacity. The software is not that easy, but the hardware is beyond any reproach at this price. Highly recommended at that price.

JAMAS IMAGINE TAN GRANDE CAMBIO

He realizado digitalizacion de mis LPs con excelente definición y claridad, no olvidar aterrizar el dispositivo para evitar el ruido electromagnético.

An excellent compact interface that produces very good sound quality and works well with Audacity. I have checked for noise and power line interference pickup (hum) in recordings, which is often a limitation of such interfaces and can detect no evidence of either. If your setup does suffer from hum, there is an earthing screwpost terminal which might help, I have not had to use this.Other than that, the quality really is very good, better than the equivalent interface in USB-output vinyl record deck I bought a few years ago. The frequency range is very good, noise is low and the stereo separation is as good as the source signal. Take some time with your source to setup up the record levels in Audacity, I found 70% worked best for me as a good compromise between too high (which results in clipping and distortion) or too low, which might introduce noise. You will obviously also need to set the level on your signal source, but with some careful test recordings it is easy to get right. In addition, after recording, I use the “normalise” effect in Audacity to normalise levels over the entire sound file. As a tip if you notice normalisation on Audacity is resulting in substantial increases in the average signal level after normalisation, then your initial record level is probably set too low.There is only one minor bug, which catches out many people (and I suspect results in negative reviews). On setting up, Windows recognises the interface but as a mono source, so even though the Audacity setup indicates stereo recording, you are actually only recording a single input channel on both recorded channels. This in my view is a Windows issue, it is not a fault with the interface or Audacity. I made several recordings before I realised that they were all mono recordings. The fix is easy in Windows and several other reviews of this interface have good instructions on how to fix this. Once done recording is in stereo.

Sirve para convertir una.mezxladora analógica en digital

Por el costo, es muy aceptable y cumple muy dignamente. No hace maravillas, no es High End, pero es la mejor opción valor/precio.(Si tienen teléfono de la manzana, puede ser muy útil)

esta muy bien para llevar a cualquier evento donde utilices 1 tornamesavincule timecode en virtual Dj con esta interfaz

Es muy bueno en cuanto a la amplitud, funciona pero me gustaría que tuviera linea a la luz.

Funcionó perfecto para conectar una tornamesa a una Laptop , súper fácil de utilizar porque no se tiene que instalar nada

Very good

No me sirvió de mucho pero muy bueno para iniciar

I am extremely pleased with this . It works exactly as it should and its price is very low for the quality and functionality it supplies.Now there are already 151 Amazon reviews prior to mine and most of them are thoughtful, well-written, and informative. As a matter of fact, it was reading most of those previous reviews which impelled me to buy this device. That said, I want to emphasize something for which many of the reviewers have unjustly, in my opinion, downgraded the product: any resemblance of what is claimed on the box or in the instruction manual that you WILL get, and what you actually DO get, is strictly coincidental.You will get NO discs (when you see the size of the outer box you will realize that a disc wouldn't even fit into it!), NO "included" software and, even though in the instruction manual it is claimed that there is a TOSLink output on the unit, there is NOT.So please just forget about any ancillaries promised. You're not going to get them.What you DO get is a superb instrument which allows you to create excellent digital recordings from any source you wish including records. And frankly, in my opinion, that's plenty!Thus, though the labeling on the box and the error(s) in the manual are completely inexcusable (and absolutely should be corrected), the product itself, again in my opinion, is all that matters and this one, at around $40.00, is, I believe, an amazing bargain.The manual states that the interface has a 16-bit converter and samples up to 48 kHz but, in fact, you can (and I did) make 24-bit (or 32-bit) 192 kHz (or even higher) files depending on the software you use.Now if you already own a USB turntable, and all you want to do is to create digital files from only your records (files which you can play on your computer or from which you can create CDs), you do not need this item. But if you don't own such a turntable, and wish to copy tapes as well as LPs, 45s, etc., then I believe that you will be quite satisfied with this device.Its phono section works ONLY with turntables using moving-magnet cartridges. If you have a turntable with a ceramic cartridge, you would use the line-level setting on the interface. (There is a small switch which changes the inputs to "phono" - with the appropriate RIAA curve setting - and "line" which handles everything else.) If your turntable has a moving-coil cartridge, you would need to insert a pre-preamp between the turntable and the interface.But in most cases, for recording records, all you need do is to plug the RCA outputs from your turntable into the requisite inputs on this unit and switch the unit to phono; you must also attach the ground cable to this interface. Then merely plug in the USB cable to your computer. The cable transmits the sound and also supplies power to the interface (you will see its green LED light up when you plug in the USB cable).The manual and the box state that the unit supports Windows-XP and Windows 2000 operating systems (as well as an older Mac system) but this is incomplete. This interface, having no drivers of its own, will work with ANY computer running ANY operating system as long as that computer is equipped with a USB port.Then use the software of your choice. As I use a GNU/Linux operating system on my computer, I use the Audacity software (which I like very much) but there are any number of other choices available. I believe that there are also many choices available for Windows and Mac computers as well. You may need to do a bit of searching (there are many available on Behringer's site but I believe that you can find more, and more satisfactory ones, just by doing an ordinary search on the Internet) and then you may need to practice with the software of your choice but I'm certain that the results will be as satisfactory to you as they are to me.Please note that I strongly recommend that you try "free" software (such as Audacity) first; in my experience, the free software is AT LEAST as good as most "pay" ones - and often even better. If you use free software, then the total cost to you is just the price of the unit itself (and any necessary cables you would have to buy if you do not already have them). But of course whether you use free software or software for which you must pay would be your own choice.This unit arrived just a couple of days ago; I have had time to copy only one LP. But the recording turned out perfectly. I had to make one or two "test" recordings to find out the proper settings in the Audacity software, but attaching and using the Behringer UFO202 itself was completely straightforward. Almost anyone could do it.My digital copy of my record sounds EXACTLY the same as the LP itself. Perhaps some "golden-eared" person MIGHT be able to distinguish between them but, if the test were effected in a double-blind fashion, I'll bet that he/she could not. I certainly can't hear any difference! Note that, as I mentioned above, I made a 24-bit 192 kHz FLAC file from my record.I own several other Behringer products: the , the , the , and the .Some people have "knocked" Behringer for poor customer service and I have no doubt about their unfortunate experiences. But I myself have had NO problems whatsoever with any of my Behringer products so I have never had the need to contact Behringer. If you buy their products from Amazon, as I did, and if you were to have a problem, you merely contact Amazon and they will effect an exchange or refund, as you wish (they will even arrange to pick up the product at your home if you desire) - all at no cost to you.But I have found that, with all of my Behringer products (and I own six pair of those headphones), their manufacturing and quality control are absolutely first-rate. So are their designs - and so are their prices!So, in conclusion, I should like to say that, if you wish to easily create digital files from your records and/or tapes, I strongly recommend that you consider this Behringer UFO202 Audio Interface. While you could plug the outputs from a tape deck directly into the microphone input on your computer, the resultant sound files will generally be inferior. And you cannot plug a turntable directly into a microphone input and expect anything good. So, for its low price, this device affords you the opportunity to make the music on your records and tapes available to you in digital format; playing these digital files exclusively ensures that your originals will not be damaged or worn further.Thank you for reading this and for considering my opinions.Lawrence H. Bulk