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No hay artículos en el carroTamaño:1x12 | estilo:Extension Cab The Hot Rod Deluxe amp has become the world's best-selling tube amp. From its introduction on through to today, countless guitarists have chosen it as their go-to amp, and it has proven equally popular among rock, country, punk, pop, blues and jazz players. The Hot Rod Deluxe 112 Enclosure features a 12" Celestion G12P-80 speaker for all-around use with a variety of combo amps. It fits neatly under the Hot Rod Deluxe and Blues Deluxe combos, adding bass response and thump, apparent volume and stage coverage. Rated at 80 watts RMS at 8 ohms. Speaker cable and fitted cover included.
Randy L Barnett
Comentado en los Estados Unidos el 24 de enero de 2025
It came on time. I mean it's a fender tube amp. What more can a person say.
benjaminjpeterson
Comentado en los Estados Unidos el 12 de mayo de 2024
I bought two of these amps to run in stereo, to have a clean pedalboard platform with lots of headroom. I had to work out some grounding issues (the most effective method turned out to be ground isolators in the instrument cable line) but these can get very loud. Too loud for a bedroom? Maybe don't turn them up past 4. Good for a medium sized club i would say. Don't expect them to break up when overdriven while you are right next to them, as they will be too loud. But it you want to get your overdrive from your pedals, this is an excellent choice. One needed a single preamp tubed replaced upon arrival but this was inexpensive and i did it myself without warranty. So far, after some troubleshooting with the ground in my house, these amps are doing great and i am really enjoying playing in stereo for the first time.
Sean Pearce
Comentado en los Estados Unidos el 26 de noviembre de 2024
Had the amp for a year now. You can get any type of great classic tone or distortion just on the amp alone, but I have my signal going through a Solodallas, Into a boss DS1, into a TS 808, into an echo verb pedal from China, and then a Noisegate. I’ve had this amp for a year now and it’s been Flawless. I have a set of back up tubes ready to go and for extra volume if it’s ever need to beyond the 15 amps, which there has been a couple times, I mic it up. I am the rhythm player in my band, and the Al Nico speaker keeps my sound tight and the speaker makes me sound huge when I open up the volume. Worth every penny. I think somewhere around the early 80s I started playing electric guitar in bands. I thought about getting a fender amp. But first I had to go through Pevey, a crate, Roland JC 55, a vox “pathfinder“ (Sidenote: I still have one and are great amps for small gigs, but it’s the old pathfinder with the rectifier circuit.) To finally land with this Fender! Pair This amp with the SM57 microphone and your in business for any concert venue. I chose this amp after listening to a amp shootout on YouTube! I knew what I was after and I have not been disappointed in this purchase! You won’t be either!
Steve
Comentado en Canadá el 4 de junio de 2020
Great amp. Beautiful tones. Use it in the studio but would be great for most gigs as well. Quality all the way!
FRANCISCO VILLICAÑA
Comentado en México el 20 de agosto de 2019
Excelente
David Wilson
Comentado en los Estados Unidos el 1 de octubre de 2012
If you want that '50s sound, you need a tube amp. When I bought a Gretsch guitar a little over a year ago to see if there was a Rockabilly stylist inside me that wanted to come out, I bought a Fender Princeton amp to go with it. The amp wasn't cheap (I could have saved a few bucks if I had bought it through Amazon, but I was in the music store and in a hurry as well); nevertheless it was the amp that the guitar (a Chet Atkins Country Gentleman) required. Since then I have picked up a Fender Bass and a basic version of a high-end Yamaha piano, both of which begged for attachment to a punchier amp. I decided to get the Hot Rod DeVille 410, basically a big brother to the Princeton tube amp: Four 10 inch speakers instead of one, more watts, more controls, but still compact enough that one could carry it around if need be.This is a wonderful amp. For in-house practice I can't even turn the volume more than halfway up without making my ears hurt. The dials allow some very fine sculpting of generated sounds, but if you don't want to let the inner sound engineer spend too much time on the dashboard, just zero the effects and play it straight with limited volume and basic equalization. The default sound is great. As always, a more powerful amp loafing gives you better output than a smaller amp screaming. That's not a complaint about the limits of my first amp, which I suspect I will always use with a single guitar attached. But it recognizes the no-stress output from this fine four-speaker cabinet.A minor point, but the amp has a clever standby switch that will reduce power to the tubes and keep them slightly warm if you need to power down for a while. Standby protects your tubes from the damage potential inherent in the crash-and-resurrection profile of a complete off-and-on cycle. And when you do turn it off, it is a softer landing from standby than from glowing hot.
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